![]() ![]() So the chord which fits the key of C would have to be D minor and not D major. If we're in the key of C major, we can't use an F# and remain diatonic. The D minor chord has the notes D, F and A. Because of the way the notes are spread out in the scale, some chords will fall major and others minor (and one lonely diminished chord).įor instance, the D major chord contains the notes D, F# and A. The diatonic chords of the major scale must stay within the notes of the key. Why, for instance, aren't they all major if they're in a major key?! On the last page, you probably noticed that some chords were major, while others were minor or diminished. Why Are Some Chords Major and Others Minor? This topic is so important, it's good to over-explain it and make sure you get it. ![]() We call this chord the dominant triad in the key of C, or give it the Roman numeral: V.īelow are pictures showing all the chords in each major key, with their Roman numerals and names.Students always have similar questions about the diatonic chords. In the same way, we can build a chord upon the 5th degree of the scale of C major, and we end up with G, B and D. We call this chord the tonic triad in the key of C, or we give it the Roman numeral: I. So, the triad that is built upon the first degree of the scale in C major is: C, E and G. ( See this explanation about intervals if you’re not sure what a 3rd or 5th is). for the key of C major, you can build a chord upon the first degree of the scale by using the first degree of the scale as the root of the chord, and adding a note a 3rd above the root, and another one a 5th above the root. In any key, you can build a triad (3 note chord) upon each degree of the scale (1 to 7), and name it after that degree of the scale, either with a Roman numeral, or the full name:Į.g.
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